1.0Albert Brusseehttps://albertbrussee.nl/en/AB II-27 - Albert Brusseerich600338<blockquote class="wp-embedded-content" data-secret="1KuM5EnaAm"><a href="https://albertbrussee.nl/en/shop/ab-ii-27/">AB II-27</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://albertbrussee.nl/en/shop/ab-ii-27/embed/#?secret=1KuM5EnaAm" width="600" height="338" title="“AB II-27” — Albert Brussee" data-secret="1KuM5EnaAm" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
/* <![CDATA[ */
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
//# sourceURL=https://albertbrussee.nl/wp-includes/js/wp-embed.min.js
/* ]]> */
</script>
https://albertbrussee.nl/wp-content/uploads/2022/11/DSC00179_edited-scaled-e1668613907244.jpg18112560The Fantasy on Themes from the Opera Mazeppa by Clémence de Grandval, a French late-romantic composer, is a concert paraphrase of the kind that used to be written often in the 19th century. The opera itself may never be brought to the limelight again, but the score contains many a beautiful moment and I have tried to rescue these from oblivion in the form of a keyboard fantasia.